守得云开见月明 After Enduring The Clouds, One Sees The Moon Light

守得云开见月明 

Artist: Li, Weisong 李巍松

Media: Chinese Painting on Rice Paper

Size: 20 x 39 in. (50 x 100 cm)

“梵”，在佛教和印度教中解释为“寂静，高净，玄妙”，是不可描述的一种境界，此色最早为宫廷所用，非青非蓝，古人称之为“装堂花”或“铺殿花”，但是此色的调制和使用方法似已失传，画家多年探索，挖掘出了这种颜色的调制和绘画方法，画家为此色取名“梵青”，画中春山寂静，山寺肃穆，石泉跌宕，花树盈香，在精细勾画山石、楼阁、树木、山泉的同时，更以大面积的“梵青”铺染月夜底色，使得画面宁静深邃，意境高远，极具视觉感染力。

题跋释文: 癸卯冬月制梵楼月色一帧。巍松

"梵" is interpreted as "quiet, pure, and profound" in Buddhism and Hinduism, representing an indescribable state. This color was initially used in court paintings, neither blue nor green, and was referred to as "zhuang tang hua" or "pu dian hua" by ancient people. However, the methods of formulating and using this color seem to have been lost over time. After years of exploration, the artist has rediscovered the formulation and painting techniques for this color. The artist named this color "梵青" (Fan Qing). In the painting, the tranquil spring mountains, solemn mountain temple, cascading stone springs, and fragrant flowers and trees are meticulously depicted. Simultaneously, a large area of "梵青" is applied to create the background of the moonlit night, making the scene serene, profound, and evoking a sense of transcendent beauty with strong visual appeal.