Ge and Mask 格和口罩

In Ge and the Mask, an infant sits at the center of the composition, surrounded by accumulated masks. The masks are neither worn nor linked to specific actions; they form the environment itself through piling and suspension. The image is fragmented by irregular structures, where cultural imagery and natural forms coexist yet remain isolated. The infant bears a name, but has not yet entered language or order. Before the child’s arrival, the world has already been divided and left behind. Rather than addressing an event, the work presents an earlier condition—one in which the individual is placed into a structured reality before experience can begin.

《格和口罩》中，婴儿端坐于画面中央，被大量口罩所包围。口罩既未被佩戴，也未指向具体行为，而是以堆积、漂浮的方式构成环境本身。画面被不规则结构切割，不同文明图像与自然形态并置其间，却彼此隔绝。婴儿拥有明确的名字，却尚未进入语言与秩序之中。世界在其到来之前已完成分割与遗留。作品并不讨论事件本身，而呈现一种更早发生的状态——个体在尚未形成经验之前，已被置入一个被结构化的现实之中。