Slices or experience No.11 切片或经验 11

In Slices or Experience No.11, the image is again divided into distinct geometric units. Historical sculpture, ceramic fragments, dice, ornamental patterns, and textual labels are placed side by side, yet remain isolated, resisting narrative continuity. Severed limbs and shattered porcelain appear in parallel, without implying violence or causality—only a condition of disassembly. Words attached to the steps function like imposed labels, through which experience is repeatedly named and categorized, yet never restored as a whole. Here, slicing no longer emerges from time, but operates as an ongoing structural act—experience is broken down, displayed, and observed, without the possibility of reassembly.

《切片或经验 11》中，画面再次被明确分割为多个几何单元。历史雕塑、器物碎片、掷骰、装饰纹样与文字标记被并置其间，却彼此隔离，无法形成连续叙事。断裂的肢体与破碎的瓷器对应出现，既未指向暴力，也未构成因果，只呈现被分解后的状态。阶梯上的词语如同被贴附的标签，使经验被不断命名、分类，却始终无法还原整体。切片在此不再来自时间，而是一种持续发生的结构行为——经验被拆解、陈列、观看，却始终无法重新合并。